Ghanaian media personality MzGee

Ghanaian media personality MzGee has shared an emotional and thought-provoking reflection on the Nigerian series “To Kill A Monkey”, calling it one of the most eye-opening and heart-wrenching pieces of storytelling she has encountered in recent times.

The series, which explores themes of betrayal, trauma, loyalty, parental expectations, and gender-based harassment, left MzGee deeply moved and full of lessons she believes resonate far beyond the screen.

In a lengthy and impassioned monologue on Gee O’clock, MzGee praised the 2025 Nigerian crime thriller television series created and directed by Kemi Adetiba for its realism and emotional depth, saying it challenged her to think critically about relationships, morality, and the unspoken struggles people endure.

One of the standout lessons for MzGee came from the character of a son who grew up resenting his father for not doing “enough”only to become the very kind of father he once condemned.

“Sometimes, when you don’t forgive or understand, you become what you hate,” she noted.

For MzGee, this was a clear reminder to show compassion to struggling parents, especially those who genuinely did their best under tough circumstances.

Another profound takeaway for the broadcaster was the series’ bold portrayal of sexual harassment against men—something rarely depicted in African storytelling.

“We often assume that harassment is a woman’s problem,” she said, “but To Kill A Monkey showed how men too can be victims, and worse, suffer in silence.”

MzGee called for greater sensitivity and support for male victims of abuse, particularly in industries like media and entertainment where such experiences are often buried under shame.

The series, premiered on Netflix on July 18, 2025, also explores the consequences of blind loyalty, particularly through the character of a man who stands by a friend and mentor—only to be betrayed and discarded when he was no longer useful.

“Don’t let your loyalty become your weakness,” MzGee cautioned, admitting that this storyline made her question how often people are used under the guise of brotherhood or loyalty.

From a wife torn between supporting her husband and resenting the dangers of his choices, to children entangled in the consequences of their parents’ actions, the show challenges viewers to reflect on the complexities of family life.

MzGee revealed how she found herself asking deeply personal questions like, “Would I have done the same if I were her?” or “Would I sacrifice one love to protect another?”

Describing the viewing experience, MzGee said, “It’s not just entertainment. This series is a mirror. You’ll see yourself in at least one of the characters.” She urged audiences not to watch the series which stars William Benson, Bucci Franklin, and Stella Damasus passively but to treat it as a teaching tool about life, relationships, and the choices people make under pressure.

MzGee concluded by applauding the writers, actors, and directors of To Kill A Monkey for daring to tell such layered and uncomfortable truths. “There are so many lessons packed into every scene,” she said. “This is not just a movie. It’s a masterclass in human nature.”

Her review, raw and deeply introspective, has sparked conversations online, with many agreeing that African film and television are evolving to tackle more complex, nuanced narratives.

“Don’t just watch To Kill A Monkey to fall asleep. Watch it to wake up,” she said.

ID/MA

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