Renowned Ghanaian playwright and director, Uncle Ebo Whyte, has once again used the stage as a powerful tool for social change, this time spotlighting the harsh realities of drug addiction, the illusion of opulence, and the consequences of life choices.
Staged at the National Theatre under the auspices of Roverman Productions, the play titled ‘The Ex Factor’ tells the gripping story of a wealthy father who gives his two sons seed money to start their own paths in life. What unfolds is a tale of contrast—one son uses the funds wisely, while the other descends into a world of drug abuse and reckless living.
The play not only explores the individual choices of the characters but also reflects broader societal struggles with addiction and the burdens placed on families.
After the curtains fell and the audience rose in ovation, Uncle Ebo Whyte took a moment to share a deeply personal story that added further weight to the night’s message.
“12 years ago, my wife lost her brother. His name was Seth—the only boy among girls. He was a wonderful man, but he lost his life to drugs,” he revealed.
Speaking with raw honesty, Ebo Whyte addressed the emotional toll addiction takes on families. “From his experience, I know that the families of people dealing with alcoholism and drug addiction suffer more than the people themselves,” he said. “So my prayer to every family that is here dealing with such a thing is that, ‘let us continue praying.’ Once the drugs and substances take control of them, it’s not about rebuking them because they’re lost. Prayer will help them.”
He urged the audience to show compassion, understanding, and faith when dealing with loved ones facing addiction. “Let’s learn to pray for them more. And I pray that your lost ones will find themselves again,” he added. “But if you’re here and you’re in the case of one addiction or the other, I pray that you find your life back. We were born to be free, we were born to live our best lives, and I hope that you’ll find yours as well.”
Ebo Whyte, whose productions are celebrated for weaving humor, emotion, and social commentary, has consistently addressed sensitive issues—from mental health to domestic abuse—and this latest work cements his place as not just a playwright, but a voice for healing and hope.
The play continues to run at the National Theatre on 11th, 12th & 13th April as part of Roverman Productions’ quarterly lineup.
