Theatre in Ghana has long served as an avenue for storytelling, cultural expression, and social commentary.
From colonial times to the present, playwrights have used the stage to reflect the realities of the Ghanaian people, addressing critical issues such as colonialism, tradition versus modernity, political struggles, and identity.
This feature highlights five Ghanaian playwrights whose works have significantly contributed to shaping the country’s theatre landscape.
Through their plays, they have preserved cultural heritage and brought African drama to the world stage.
Efua Sutherland
Efua Theodora Sutherland was a playwright, director, dramatist, children’s author, poet, educator, researcher, child advocate, and cultural activist. Born on June 27, 1924, she passed away in January 1996.
Known for her plays, including Foriwa (1962) and The Marriage of Anansewa (1975), Efua Sutherland was instrumental in the development of Ghanaian theatre, founding both the Ghana Drama Studio and the Ghana Society of Writers.
In addition to her work in drama, she wrote several children’s books, such as Vulture! Vulture! and Tahinta.
In the 1970s, she founded Afram Publications in Accra, one of the country’s first indigenous publishing houses.
Efua Sutherland also advocated for cultural awareness, demanding improved educational curricula and more appropriate literature, theatre, and film for children.
Joe De Graft
Joseph Coleman De Graft (April 1924 – November 1978) was a playwright, dramatist, producer, and director. In 1962, he became the first director of the Ghana Drama Studio.
De Graft was also an actor, poet, teacher, and prominent figure in the development of radio, stage, and television plays in Ghana.
One of his most important works, Muntu, published in the 1970s, tackles African identity and colonialism head-on.
His influence extended beyond Ghana, impacting countries like Nigeria, Sierra Leone, and the Gambia.
De Graft was deeply involved in literary and theater education across West Africa.
Ama Ata Aidoo
Ama Ata Aidoo was a writer, poet, playwright, and educator.
Born on March 23, 1942, she passed away on May 31, 2023, at the age of 81.
Over a career spanning more than five decades, Aidoo won wide acclaim as one of Africa’s leading writers of the 20th and 21st centuries.
Her first play, The Dilemma of a Ghost (1965), made her the first African woman dramatist.
Her writing earned her numerous awards, including the 1962 Mbari Club prize for her short story No Sweetness Here.
In 2000, she co-founded the Mbaasem Foundation with her daughter, Kinna Likimani. The foundation promotes the work of Ghanaian and African women writers.
Uncle Ebo Whyte
Uncle Ebo Whyte is a playwright, author, and motivational speaker.
He is the creative director and head writer at Roverman Productions.
Over the years, he has written more than forty stage plays and is regarded as one of the most prolific playwrights in Ghana. His notable plays include Not My Husband, The Day Dad Came, Unhappy Wives, Confused Husbands, Dear God Comma, Rejected, Dora Why, and Blackmail.
In addition to his playwriting, Uncle Ebo Whyte is the editor of Rover Monthly Report.
Latif Abubakar
Dr. Latif Abubakar is a playwright and the Chief Executive Director of Globe Productions. He has worked with stars such as Adjetey Anang, Clemento Suarez, Ofori Bismarck, Pearl Darkey, Paul Quarcoo, and Alexandra Bailey through his production house, which was launched in 2009.
Abubakar’s books include Something Must Kill a Man, Judas and Delilah, Christmas in May, Men Don’t Die, Don Quijote Africa and The Second Coming of Nkrumah.
Abubakar has also put a spotlight on Ghanaian theatre through international collaborations with the Spanish and Italian embassies.
During the COVID-19 pandemic, when public gatherings were restricted, Abubakar became the first Ghanaian playwright to live-stream a play online, further demonstrating his innovation in adapting to changing times.
Meanwhile watch videos from the 2025 budget presentation in parliament below:
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