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    You are at:Home»Entertainment»‘Don’t chase fame abroad without first mastering your craft at home’
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    ‘Don’t chase fame abroad without first mastering your craft at home’

    Papa LincBy Papa LincOctober 18, 2025No Comments3 Mins Read0 Views
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    ‘Don’t chase fame abroad without first mastering your craft at home’
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    Nigeria-based Ghanaian actor, Qwasi Blay Nigeria-based Ghanaian actor, Qwasi Blay

    As a growing number of Ghanaian actors seek opportunities in Nigeria’s bustling Nollywood, Nigeria-based Ghanaian actor Qwasi Blay has issued a crucial piece of advice: build an unshakeable foundation at home before venturing abroad.

    Speaking with ‘Graphic Showbiz,’ Blay, whose real name is Godwin Kwesi Blay Ekra Jnr, emphasised that success on the international stage isn’t about chasing fame but about mastering one’s craft with discipline and a strong sense of identity.

    “Ghanaian actors should start from home, get the foundation right, and build themselves before moving out of their comfort zone. Don’t chase fame abroad without first mastering your craft at home. Every actor is an ambassador of their country, so before you step out, make sure you’re bringing your best,” Blay stated.

    For Blay, a solid foundation is built on three pillars: identity, originality, and discipline.

    He urged actors not to shed their Ghanaian essence in an attempt to fit in.

    “As an actor, you need to have your own identity. Our speech, our rhythm, and our essence as Ghanaians are unique. Don’t lose that. Develop your voice, your style, and your artistic essence,” he explained.

    He stressed that Nollywood is a fiercely competitive international arena where excuses are not tolerated.

    “Once you leave your comfort zone, you have to bring your A-game. There’s no room for lapses,” Blay noted, adding that this makes it imperative for actors to refine their technique, range, and camera presence in Ghana first.

    Blay was quick to clarify that he is not discouraging the move to Nigeria.

    “No, I wouldn’t advise against it. If the opportunity comes, grab it. But if it’s not there, stay focused, build yourself here, and be ready. Opportunities aren’t only in Nigeria; they’re everywhere,” he stated.

    He also reminded aspiring actors that rejection is a universal part of the profession, whether in Nollywood, Bollywood, or Hollywood.

    “Even in Ghana, you can attend auditions and not get picked. It happens everywhere. For me, challenges are part of life, part of the journey,” he added.

    Blay speaks from experience. His own cross-border career began in 2023 after working with actress and producer Selassie Ibrahim on the Showmax original ‘The Billionaire’s Wife.’

    Playing her son on screen opened doors to Nigerian producer Uche Mbunabo’s network, leading to his Nollywood debut in The Brothers’ Rivalry in March 2024.

    Reflecting on Nollywood’s global success, Blay identified key areas where Ghana can learn and grow. He pointed to Nigeria’s relentless energy and cultural pride.

    “Nigerians have numbers, yes, but beyond that, their energy is unmatched… That’s the extra edge,” Blay explained.

    He clarified that Ghanaians are not lazy but could benefit from the stronger culture of discipline and efficiency in Nigeria.

    It’s wrong to claim Nollywood made Ghanaian actors famous – Kofi Adjorlolo

    Another critical lesson he noted is the vigorous promotion of culture by Nigerians.

    “What I’ve realised about Nigerians is they never joke with their heritage. Like Indians, they find every chance to project their culture. That’s something we need to emulate more,” he advised.

    Finally, Blay highlighted the need for Ghana to treat filmmaking as a serious business, much like Nigeria has done with platforms like YouTube.

    “In Nigeria, filmmaking is treated as a business, not just a passion. Passion keeps you going, but business keeps you grounded. That’s what Ghana is lacking right now,” he stated.

    He, however, expressed optimism that with the right structure and mindset, “we will get there.”

    ID/AE



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